Animated Wor(l)ds is a multimedia born-digital project that brings together a collective of scholars, poets, artists and activists from around the world. The project builds upon and contributes to ongoing interdisciplinary conversations in the fields of the environmental humanities and of critical animal and plant studies. Animated Wor(l)ds promotes multispecies kinship through experimental, speculative, and creative practices and aims to pave ways towards coexisting more justly with other animals and lifeforms. At the heart of Animated Wor(l)ds lies a relational ethics that embraces the semiotic dimensions of relationality and language in its relational capacity.
Volume editors and contributors collectively embrace the vision of a multispecies society that celebrates the voices of our more-than-human kin, while striving to create a regenerative paradigm that counters human supremacy and other interlinked systems of oppression at the root of the current ecological crisis. By animating the words of multispecies worlds, we turn the exclusionary logic of anthropocentrism on its head and encourage antispeciesist practices that acknowledge the personhood and autonomy of other living beings, honoring their role as worldbuilders and agents of change. This entails giving up language practices that reduce living beings to objects and commodities, and instead adopting languages that transform harmful epistemic and linguistic oppositions into interspecies dialogues.
Contributors to this volume pursue these core objectives by addressing themes ranging from interspecies communication and (auto-)ethnography to care ethics, ecocriticism, and non-western epistemologies. The media-rich contributions feature poetry, photos, video and/or audio components, all of which animate multispecies flourishing and collaboration with more-than-human wor(l)ds.
Animated Wor(l)ds is generously supported by the Culture and Animals Foundation.